Or maybe the next chord tells "it was just an illusion and this the real reality". Or that it's a universal biological mechanism without cultural and individual variation.Ī good chord progression moves away from "home", creating some kind of tension, which can be released or left unreleased. The myth or misconception is that a chord is a harmonic context in and of itself. Do you want your function to say that the combination F - Fm works well. Or take something as simple as C - F - Fm - C. Even if sound stops, the harmonic context keeps on changing anyway as time goes on. The harmonic context is a black box in your head, you feed sound into it, and it changes all the time. Works great, but good luck trying to construct a metric function of the form Distance(Chord1, Chord2) that outputs a single number and that would give good "fitness" numbers for any pair of consecutive chords in that progression. Chords are building blocks for providing and altering the harmonic context, which exists in the listener's head and is basically a set of expectations against which incoming pitches are evaluated. This question seems to arise from a myth or misconception about what chords and chord progressions "are" i.e. Sorry if this was a bit chaotic, I just can't put a finger on it. Or a new point of view how I should look at chord progressions. There is an "easy to see" movement, but can it be written down by a rule? It can be very philosophical.in the end the question will be: "Why is music working?"Įven I don't know what I am looking for, maybe a rule for "putting together chords". Can I say that two chords can be put together if the number is less then X?Īnother example could be A (AC#E)-> B (BD#F#). If I write down the distance of the notes:įinally I got 1. Pff.so I tried and played this:Īnd I was wondering why and how it is working? So I analyzed and I saw the G°'s notes are resolving to the Em's notes. There aren't too many "in-depth" materials about how to do this, and what I found says: "just try, maybe something will work". I was trying to create a chord progression in C major with borrowed chords from C based modes.
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